Yesterday (Nov. 1st), our destination was Cordoba, about a 2
hour drive from Seville. As we left the city, the
landscape changed. Initially, it was
very arid with a few olive groves but, as we approached the mountains in
the distance, the terrain became rolling hills which were the foothills for
them. There was a lot of agriculture –
probably grains but hard to tell because the crops had been harvested. Of course, there were still lots of olive
trees. Oh yes, and orange trees with the
bitter oranges that Seville marmalade (made in the UK) is made from. The photos below aren't great as I took them from the bus but they give some idea of the topography.
Once we were at Cordoba, we walked across the old Roman bridge and into
the old town centre which is a UNESCO World Heritage Site. We walked through the Jewish quarter –
interesting that both here and Seville there is one – and, once our brief
walking tour was finished, we went as a group to the Bandeleros Restaurant for
a set lunch. I can’t say that I am a fan
of the Andalusian soup they served – sort of a creamy gazpacho loaded with
garlic – but the chicken was quite good.
Again, like my dinner last evening, the side vegetables were almost
cold. Yuck!
After our lunch was finished, we toured the mosque/cathedral. It is one of the few mixed religion buildings in the world. The following is from the UNESCO WHS site about Cordoba:
Founded
by the Romans in the 2nd century BC near the pre-existing Tartesic Corduba,
capital of Baetica, Cordoba acquired great importance during the period of Augustus.
It became the capital of the emirate
depending on Damascus in the 8th century. In 929, Abderraman III established it as the
headquarters of the independent Caliphate. Cordoba’s period of greatest glory began in
the 8th century after the Moorish conquest, when some 300 mosques and
innumerable palaces and public buildings were built to rival the splendors of
Constantinople, Damascus and Baghdad. In
the 13th century, under Ferdinand III, Cordoba’s Great Mosque was turned into a
cathedral and new defensive structures, particularly the Alcazar de los Reyes
Cristianos and the Torre Foraleza de la Calahorra, were erected.
The Historic Centre of Cordoba now comprises the streets surrounding the Great Mosque and all the parcels of land opening on to these, together with all the blocks of houses around the mosque-cathedral. This area extends to the other bank of the River GuadaIquivir (to include the Roman bridge and the Calahorra) in the south, to the Calle San Fernando in the east, to the boundary of the commercial centre in the north, and incorporating the AIcázar de los Reyes Cristianos and the San Basilio quarter in the west.
The
city, by virtue of its extent and plan, its historical significance as a living
expression of the different cultures that have existed there, and its
relationship with the river, is a historical ensemble of extraordinary value. It represented an obligatory passage between
the south and the “meseta”, and was an important port, from which mining and
agricultural products from the mountains and countryside were exported.
Cordoba creates the perfect urban and landscape setting for the Mosque. It reflects thousands of years of occupation by different cultural groups – Roman, Visigoth, Islam, Judaism and Christian-, that all left a mark. This area reflects the urban and architectural complexity reached during the Roman era and the splendour of the great Islamic city, which, between the 8th and the 10th centuries, represented the main urban and cultural focus in the western world. Its monumental richness and the unique residential architecture stand out. There are still many ancestral homes and traditional houses. The communal houses built around interior courtyards (casa-patio) are the best example of Cordoban houses. They are of Roman origin with an Andalusian touch, and they heighten the presence of water and plants in daily life.
Cordoba creates the perfect urban and landscape setting for the Mosque. It reflects thousands of years of occupation by different cultural groups – Roman, Visigoth, Islam, Judaism and Christian-, that all left a mark. This area reflects the urban and architectural complexity reached during the Roman era and the splendour of the great Islamic city, which, between the 8th and the 10th centuries, represented the main urban and cultural focus in the western world. Its monumental richness and the unique residential architecture stand out. There are still many ancestral homes and traditional houses. The communal houses built around interior courtyards (casa-patio) are the best example of Cordoban houses. They are of Roman origin with an Andalusian touch, and they heighten the presence of water and plants in daily life.
The
Great Mosque of Cordoba represents a unique artistic achievement due to its
size and the sheer boldness of the height of its ceilings. It is an
irreplaceable testimony of the Caliphate of Cordoba and it is the most
emblematic monument of Islamic religious architecture. It was the second biggest in surface area,
after the Holy Mosque in Mecca, previously only reached by the Blue Mosque
(Istanbul, 1588), and was a very unusual type of mosque that bears witness to
the presence of Islam in the West. The
Great Mosque of Cordoba was also very influential on Western Islamic art since
the 8th century just as in the neo-Moorish style in the 19th century.
Concerning architecture, it has represented a testing ground for building techniques, which have influenced both the Arabic and Christian cultures alike since the 8th century. It is an architectural hybrid that joins together many of the artistic values of East and West and includes elements hitherto unheard-of in Islamic religious architecture, including the use of double arches to support the roof. The direct forerunners to this can be found in the Los Milagros (Miracles) Aqueduct in Merida. Its building techniques - the use of stone with brick - were a novelty reusing and integrating Roman/Visigoth techniques. Also it included the “honeycomb” capital, which differs from the Corinthian capital, characteristic of caliph art. Subsequently, this was to greatly influence all Spanish architecture. Likewise the combination of the ribbed vault, with a system of intertwined poli ovulate arches gives stability and solidity to the ensemble, and it represents a first class architectural milestone a hundred years before the ribbed vault appeared in France.
For obvious reasons, I haven't put captions on the photos I took inside the church. Also, I haven't included all of them as I took 50 or 60. However, these will give you an idea of the multiple arches originating from the mosque and some of the Christian influences in the building as well.
After our tour of the mosque, we reboarded our
bus for the return trip to Cordoba. It was
non-eventful and we were back in Seville by about 6:15. I think a lot of us were tired from the long day and bus ride. I really liked Córdoba and would go back to there in a heartbeat.
Concerning architecture, it has represented a testing ground for building techniques, which have influenced both the Arabic and Christian cultures alike since the 8th century. It is an architectural hybrid that joins together many of the artistic values of East and West and includes elements hitherto unheard-of in Islamic religious architecture, including the use of double arches to support the roof. The direct forerunners to this can be found in the Los Milagros (Miracles) Aqueduct in Merida. Its building techniques - the use of stone with brick - were a novelty reusing and integrating Roman/Visigoth techniques. Also it included the “honeycomb” capital, which differs from the Corinthian capital, characteristic of caliph art. Subsequently, this was to greatly influence all Spanish architecture. Likewise the combination of the ribbed vault, with a system of intertwined poli ovulate arches gives stability and solidity to the ensemble, and it represents a first class architectural milestone a hundred years before the ribbed vault appeared in France.
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